My name is Meg (she/her), and I am the artist behind the artistic brand Nelie G. Mae. My connection with my maternal lineage is the heart of my beadwork, and I am a proud citizen of Red Lake Nation. I share my middle name (Elaine) with my mother and grandmother, and the name “Nelie G. Mae” is an anagram of my first and middle names. Working with needle and thread has been a powerful healing practice of cultural reclamation for me, and I am so deeply grateful to have the ability to bead.
While my Ojibwe heritage is what grounds my beadwork, my artistic lens expands into the many layers of who I am and where I come from - I also have mixed European ancestry from Germany, Russia, England, and Ireland. I grew up living abroad throughout my childhood, and continued to do so throughout my 20’s - my last name means “far from home” in German. I value acknowledging the layers of privilege, pain, and healing surrounding my intersectional life experiences. My art practice is an abstract and contemporary way of visualizing hope within personal, familial, and communal trauma. Creative expression has always been a powerful connection place for my identity and emotional processing, and while I always loved beads as a kid, it wasn’t until 2015 that I began working with seed beads, and I haven’t been able to stop since!
Being in Mni Sota Makoche has always been a reminder of my roots and family stories, and I have been back home since 2018. While I am primarily self taught in my techniques (with the help of YouTube aunties), my family members on both sides of my family have experience in needlepoint, sewing, crocheting, embroidery, quilting, and knitting, and I am always grateful for opportunities to bead in community!